Works
| 2013 |
Still Air 1 | for bass clarinet and electronics | |
| 2012 | unreal memories | sound installation for the Carpenter Center, Cambridge MA, USA |
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| 2012 | hommage à Schwitters | interactive sound sculpture |
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| 2012 | clin d'oreille d'Avignon | electroacoustic composition, 8 channels |
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| 2012 | entwurzelt | for six singers and electronics |
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| 2011 | Klaviersammlung |
electroacoustic composition, 16 channels | |
| 2011 | Behind the light | for string quartet and live-electronics |
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| 2010 |
Irrgärten | for two pianos and live-electronics | |
| 2010 |
agitated slowness | electroacoustic composition, 24 channels | |
| CD | 2010 |
Firmament-schlaflos | electroacoustic composition, 16 channels |
| 2009 |
fragile connections | for violin, french horn and piano | |
| 2009 |
Together | music for a choreography by Larissa Douglas Koch | |
| 2009 |
Ailleurs-Intérieur | sound installation | |
| 2009 |
Polyvision | multimedia composition for dance, video projection and ensemble | |
| CD | 2008 |
Zwei Räume | electroacoustic composition, 24 channels |
| 2008 |
Monochord | electroacoustic composition, 2 channels | |
| 2007 | Einst mit dir |
for soprano, violin, clarinet and live-electronics | |
| 2007 |
Dialog für 2 Instrumentalgruppen |
Improvisation concept for 2 ensembles | |
| 2007 |
Zellen-Linien | for piano and live-electronics | |
| 2007 |
Shore | for oboe and live-electronics | |
| 2007 |
pour B | electroacoustic composition, 2 channels | |
| CD | 2007 |
Distance liquide | electroacoustic composition, 8 channels |
| 2007 |
TELL ME! ... a secret ... | interactive sound and video installation - Carpenter Center, Cambridge | |
| CD | 2006 |
Winternacht | for piano, percussion and live-electronics |
| 2006 |
Salut du Mexique | electroacoustic composition, 2 channels | |
| 2005 | Die Süsse unserer traurigen Kindheit |
music theatre based upon poems and letters by Georg Trakl, Forum Neues Musiktheater, Staatsoper Stuttgart | |
| 2004 | Cinq espaces du crépuscule |
for organ and live-electronics | |
| 2004 | Similis |
electroacoustic composition, 8 channels | |
| 2004 | Rituale |
electroacoustic composition, wave field synthesis | |
| 2004 | object-obstacle |
electroacoustic composition, 8 channels | |
| CD | 2004 | Rojo |
electroacoustic composition, 8 channels |
| 2004 | Der unsichtbare Hörturm The invisible bell tower |
open air sound installation - Radcliffe quadrangle, Cambridge | |
| 2003 | Klang der Stille |
sound installation, Russischer Ehrenfriedhof Weimar | |
| 2003 | Die Kirche als Klangskulptur |
sound installation, Friedenskirche Jena | |
| 2003 | Stimmen-Zeichen |
sound installation, Pragsattel Stuttgart | |
| 2002 |
Trois structures | for Baschet Resonators and live-electronics | |
| 2002 |
Cito | for French Horn, piano and live-electronics | |
| CD | 2002 |
La joie ivre | electroacoustic composition, 2 channels |
| 2002 |
Vibrations décomposées | electroacoustic composition, 4 channels | |
| CD | 2001 |
Migration pétrée | electroacoustic composition, 8 channels |
| 2001 |
Der unsichtbare Hörturm Le clocher invisible |
open air sound installation - on the tour of the castle Montbéliard | |
| 2000 |
SprachSchlag | for percussion and live-electronics | |
| 2000 |
memory - fragmentation | electroacoustic composition, 8 channels | |
| 2000 |
Epexergasia - Neun Bilder | electroacoustic composition, 4 channels | |
| 2000 |
résorption - coupure | electroacoustic composition, 4 channels | |
| 2000 |
KlangSpirale | sound installation - 16 channels | |
| CD | 1999 |
Das Bleierne Klavier | for piano and live-electronics |
| CD | 1999 |
Eikasia | electroacoustic composition, 8 channels |
| CD | 1999 |
human-space-factory | electroacoustic composition, 8 channels |
| 1999 |
Klangschmelze | sound installation in the ice cave Dachstein | |
| 1999 |
Glockenklangfeld | sound installation on the main place of Apolda | |
| 1999 |
Die Kirche als Klangskulptur | sound installation in 5 countries of Europe | |
| 1999 |
NochDreiSekundenSchwarz | video in collaboration with Kerstin Wagener, ZKM Karlsruhe | |
| 1999 |
Klangwald - Lichtgestein | open-air multimedia composition with sound and light projection in the Ratssteinbruch Ilmenau, Ensemble für Intuitive Musik Weimar, TU Ilmenau - Lichtgestaltung, European Lighting Design Assosiation | |
| 1998 |
Départs | for soprano, percussion, 10 instruments and tape | |
| CD | 1998 |
Extrémités lointaines | electroacoustic composition, 8 channels |
| 1998 | Lissabon Projekt |
music for the ballet "Lissabon-Projekt" choreography Joachim Schlömer (theatre Basle) composition together with Michael von Hintzenstern |
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| 1998 | Klanghochspannung |
sound installation - 12 channels | |
| 1997 | Verdichtung |
for two choirs and tape | |
| 1997 | Klanglabyrinth |
sound installation - 42 channels in a cave | |
| 1997 |
Der unsichtbare Hörturm The invisible bell tower |
open air sound installation - on the tour of the castle Weimar | |
| 1996 |
rapprochement-éloignement | for mezzo soprano, flute, viola and harp | |
| 1996 |
Drei Traumgesichter | for English horn and tape | |
| CD | 1996 |
...erinnerung... | electroacoustic composition, 4 channels |
| CD | 1996 |
Les Invisibles | electroacoustic composition, 8 channels |
| 1996 |
Der unsichtbare Hörturm The invisible bell tower |
open air sound installation - on the tour of the University Jena | |
| 1996 |
Klangbrücke | sound installation - 4 channels | |
| 1996 |
Flammenklang | open air multimedia composition for ensemble, dancers, choir, tape and 16 fire-projectors | |
| 1996 |
Geschenk am Fuß | multimedia composition for dance, projection of images and ensemble | |
| 1995 |
Freibrief für einen Traum | for soprano, flute, cello, percussion and tape | |
| 1995 |
Über unsere Gräber | for flute, percussion and tape | |
| CD | 1995 |
Sieben Stufen | electroacoustic composition, 4 channels |
| 1995 |
Hochland oder der Nachhall der Steine | music for the ballet "Hochland oder der Nachhall der Steine" choreography Joachim Schlömer (Deutsches Nationaltheater Weimar) composition together with Michael von Hintzenstern |
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| 1994 |
Spiegelbilder | Improvisation concept for ensemble | |
| 1994 | Nachts |
for bass clarinet, cello, percussion and tape | |
| 1994 | Flying Flute |
electroacoustic composition, 2 channels | |
| 1994 | Sound Scapes |
sound exhibition in 14 rooms (Schwarzer Bär - Weimar) | |
| 1993 | Zu Abend mein Herz |
for trombone, percussion and tape | |
| 1993 | Unbekannte Galaxien |
multimedia composition for a Planetarium | |
| CD | 1993 | Ausbruch der Klänge |
Improvisation concept for ensemble, espacio culturico Mexico City |
| 1992 | The Metal Voice |
for percussion and tape |
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| CD | 1991 |
Die zerschlagene Stimme | electroacoustic composition, 4 channels |
| 1991 |
music for the film "Brüder und Schwestern" by Pavel Schnabel | ||
| 1991 |
Imaginäre Räume 1 | multimedia composition for projection of images and ensemble | |
| 1990 |
Sein wirkliches Herz | electroacoustic composition, 2 channels | |
| 1990 |
music for the play "Sonja und Leo Tolstoi" by Luise Rinser | Deutsches Nationaltheater Weimar | |
| 1989 |
Übergänge | electroacoustic composition, 2 channels | |
| 1989 |
music for the play "Ein Stall voller Schweine" by Athol Fugard | Schicht-Theater Dresden | |
| 1989 |
music for the film "Wind sei stark" by Jochen Kraußer | ||
| 1989 |
Klang - Farbe - Bewegung | multimedia composition for dance, projection of images and ensemble | |
| 1988 |
Hommage à Laszlo Moholy-Nagy | electroacoustic composition, 2 channels | |
| 1988 |
Vom Klang der Sterne | multimedia composition for a Planetarium | |
| 1987 |
Abstrakte Diaphonie | multimedia composition for projection of images and ensemble | |
| 1987 |
Durchdringung | electroacoustic composition, 2 channels |
