Skip to content
  • Home
  • Bio
    • Biography
    • High resolution photos
  • Works
  • Impro
    • EFIM
    • EFIM Recordings
    • Partners
  • Workshops
  • Publications
    • CDs
    • Videos
    • Texts
    • Interviews•Radio•TV
    • Press
  • Performances
  • Other Arts
    • Ceramics
    • Photography
    • Film
    • Dance
  • Activities
    • Festival
    • Hydra
    • Travel
      • Japan 2014
  • English
    • Deutsch
    • Français
  • Home
  • Bio
    • Biography
    • High resolution photos
  • Works
  • Impro
    • EFIM
    • EFIM Recordings
    • Partners
  • Workshops
  • Publications
    • CDs
    • Videos
    • Texts
    • Interviews•Radio•TV
    • Press
  • Performances
  • Other Arts
    • Ceramics
    • Photography
    • Film
    • Dance
  • Activities
    • Festival
    • Hydra
    • Travel
      • Japan 2014
  • English
    • Deutsch
    • Français

publications_language: English

On electroacoustic composition and technology

Composing with large sound collections

Teaching electroacoustic composition

Max/MSP: building a non repeating looper

Max/MSP : using max.bach and max.cage in ‘Shadow of bells’ for piano and live-electronics

Technology: the expressive extension of my artistic sensibility

Composing space

The use of iOS devices in recent compositions of mixed music

Using the iPhone for live-electronics in my composition Irrgärten for two pianos

On the Interpretation of Multi-Channel Electroacoustic Works on Loudspeaker-Orchestras

← Previous
Next →
Contact

All Rights Reserved

  • Deutsch
  • Français
back to top