Texts |

collection of articles, videos and teaching ressources

François Bayle: Abenteuer des Hörens, mit Ludger Brümmer und Hans Tutschku

teaching improvisation with electronics

teaching electroacoustic composition

Composing with large sound collections

Max MSP in ‘virtual bodies’ for piano and live-electronics

Using large sound databases for composition

Listening as ritual

Working with many loudspeakers

Composing space

Komposition und Musikwissenschaft im Dialog VII

Technology: the expressive extension of my artistic sensibility

using max.bach and max.cage

JIM 2015 Montréal, Keynote

Alice aux pays de l’électroacoustique

physical gesture and space in my creative process

Presentation at the Japanese Society for Sonic Arts

lecture and concert at Kunitachi College Tokyo

The use of iOS devices in recent compositions of mixed music

The other side – interview

L’espace entourant – l’espace personnel: Quelques concepts spatiaux dans mes œuvres

Max/MSP vs. the iPhone: Two compositional approaches to the use of live electronics

Using the iPhone for live-electronics in my composition Irrgärten for two pianos

Ralph Paland: Zur Musik und kompositorischen Poetik von Hans Tutschku

On electroacoustic composition and technology

The Use of OpenMusic for Sound Composition

Ludger Brümmer und Hans Tutschku im Dialog

Geste, Ausdruck, Emotion – Musik im technischen Zeitalter

Analogue versus Digital, did this fight ever exist?

Das Elektronische Studio als Instrument

An Interview with Hans Tutschku by Ketty Nez

Elektroakustische Komposition heute – oder Das elektroakustische Studio als Instrument

Portfolio of Compositions by Hans Tutschku – PhD

ON THE INTERPRETATION OF MULTI-CHANNEL ELECTROACOUSTIC WORKS ON LOUDSPEAKER-ORCHESTRAS: SOME THOUGHTS ON THE GRM-ACOUSMONIUM AND BEAST

Diphone FFT article

L’application des paramètres compositionnels au traitement sonore

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